When asked about the most punk gesture she's ever done, Cathy Loughead doesn't hesitate: “I took the stage with my neck fractured in two spots. Not able to move freely, so I decorated the brace instead. It was a fantastic gig.”
She is part of a rising wave of women redefining punk expression. While a new television drama highlighting female punk premieres this Sunday, it mirrors a scene already thriving well beyond the screen.
This drive is felt most strongly in Leicester, where a 2022 project – now called the Riotous Collective – set things off. She joined in from the beginning.
“When we started, there existed zero all-women garage punk bands here. In just twelve months, there we had seven. Currently, twenty exist – and growing,” she explained. “Collective branches operate around the United Kingdom and internationally, from Finland to Australia, producing music, playing shows, appearing at festivals.”
This explosion doesn't stop at Leicester. Across the UK, women are reclaiming punk – and changing the landscape of live music in the process.
“Various performance spaces across the UK doing well because of women punk bands,” said Loughead. “Rehearsal rooms are also benefiting, music teaching and coaching, recording facilities. The reason is women are occupying these positions now.”
Additionally, they are altering the crowd demographics. “Female-fronted groups are playing every week. They attract more diverse audiences – attendees who consider these spaces as safe, as belonging to them,” she remarked.
Carol Reid, programme director at Youth Music, stated the growth was expected. “Ladies have been given a ideal of fairness. But gender-based violence is at epidemic levels, the far right are manipulating women to spread intolerance, and we're manipulated over topics such as menopause. Women are fighting back – via music.”
A music venue advocate, from the Music Venue Trust, notes the phenomenon altering community music environments. “We are observing more diverse punk scenes and they're feeding into regional music systems, with local spots scheduling diverse lineups and building safer, friendlier places.”
Later this month, Leicester will stage the first Riot Fest, a multi-day celebration featuring 25 all-women bands from the UK and Europe. Earlier this fall, Decolonise Fest in London honored BIPOC punk artists.
The phenomenon is gaining mainstream traction. A leading pair are on their debut nationwide tour. A fresh act's debut album, their record name, hit No. 16 in the UK charts this year.
Panic Shack were nominated for the a prestigious Welsh honor. Problem Patterns won the Northern Ireland Music Prize in 2024. Recent artists Wench performed at a notable festival at Reading Festival.
This represents a trend born partly in protest. In an industry still dogged by misogyny – where female-only bands remain lacking presence and performance spaces are closing at crisis levels – women-led punk groups are creating something radical: space.
In her late seventies, one participant is proof that punk has no seniority barrier. From Oxford washboard player in her band started playing only recently.
“At my age, all constraints are gone and I can do what I like,” she stated. Her latest composition contains the lines: “So scream, ‘Forget it’/ This is my moment!/ I own the stage!/ I'm 79 / And in my fucking prime.”
“I appreciate this influx of older female punks,” she commented. “I didn't get to rebel in my youth, so I'm rebelling currently. It's great.”
Another musician from the band also mentioned she was prevented to rebel as a teenager. “It's been really major to finally express myself at this late stage.”
Another artist, who has toured globally with multiple groups, also views it as therapeutic. “It's about exorcising frustration: feeling unseen as a parent, at an advanced age.”
That same frustration inspired Dina Gajjar to create her band. “Being on stage is a liberation you never realized you required. Girls are taught to be obedient. Punk isn't. It's noisy, it's imperfect. As a result, during difficult times, I consider: ‘I should create music from that!’”
Yet, Abi Masih, a band member, stated the female punk is any woman: “We are simply regular, professional, talented females who love breaking molds,” she commented.
A band member, of her group She-Bite, agreed. “Females were the first rebels. We had to smash things up to be heard. This persists today! That rebellious spirit is in us – it appears primal, primal. We're a bloody marvel!” she stated.
Some acts fits the stereotype. Band members, involved in a band, try to keep things unexpected.
“We don't shout about age-related topics or use profanity often,” noted Julie. Her partner added: “Well, we do have a small rebellious part in each track.” Julie chuckled: “Correct. However, we prefer variety. Our most recent song was regarding bra discomfort.”
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